Author name: Shoukhin Mondol

34/19 In a ruined and toxic future, a community exists in a giant underground silo that plunges hundreds of stories deep; there, people live in a society full of regulations they believe are meant to protect them.

39/31 Mismatched cousins ​​reunite for a tour through Poland to honor their beloved grandmother The adventure takes a turn when the odd-couple's old tensions resurface against the backdrop of their family history.. When Benji and David visit their grandmother's home in Poland, the location is where Jesse Eisenberg' s real-life ancestors settled in diaspora.. Benji Kaplan: We stay moving, we stay light, we stay agile.David Kaplan: Yeah.Benji Kaplan: The conductor’s gonna come through, taking tickets, we tell him we’re going to the bathroom.David Kaplan: Bathroom.Benji Kaplan: He gets to the back of the train, he starts heading towards the front looking for stragglers.David Kaplan: Sorry, we’re the stragglers?Benji Kaplan: Yeah . By the time he gets to the front, the train’s gonna be in the station and we’re home free.David Kaplan: This is so fucking stupid. Tickets are probably like twelve bucks.Benji Kaplan: It’s the principle of the thing. Featured in CBS News Sunday Morning: Episode #4644 (2024) We shouldn’t have to pay for train tickets in Poland. This is our country.David Kaplan: No, it’s not, it was our country. They kicked us out ’cause they thought we were cheap.. 12 Etudes, Op. 25, no. 3 in F majorWritten by Frederic ChopinPerformed by Tzvi Erez Jesse Eisenberg’s second effort as writer-director sets out to be something unconventional. There’s something of Richard Linklater’s BEFORE trilogy in the DNA of A REAL PAIN, with some recognizable inheritance from Michael Winterbottom’s TRIP series also apparent. The perambulatory pacing, the languorous cinematography that asks you to look below the surface of touristy sights, the dialogue that meanders through an unpretentious and unstructured unpacking of the meaning of life, the total absence of any "bad guys," the near total absence of any outright conflict, the barest hint of any goal guiding the plot aside from the completion of a simple itinerary… A Real Pain shares all these realistic features with those earlier, more spirited, life-affirming films. Yet somehow… it doesn’t quite work.I never really got into this movie. Everyone besides the cousins ​​ played by Eisenberg and Kieran Culkin) I think a large part of it has to do with all the supporting characters (i.e. Will Sharpe’s non-Jewish tour guide, the Rwandan convert, the old couple, the sexy divorcee… the characters are all very basic, very conventional, very boring. The actors who play them are fine, but there’s not much they’re given to do, and so they seem unnatural and lifeless, more like set decorations than people. Eisenberg knows how to direct a camera, I think; he knows how to put the proper cinematic elements in place. But perhaps he doesn’t know how to direct actors, or maybe he just doesn’t know how to write characters. Eisenberg’s "workaholic salesman with OCD" is largely one-dimensional, and the few times where his character expands beyond that facade seem more like forced acting than any kind of genuine glimpse into something deeper There's never anything to suggest that these people exist beyond the moments we see them in, which perhaps could’ve been fixed with some more spontaneous improvisation from the actors.Eisenberg and especially Culkin are better in this regard, but there's still something rather silent and "written" about a lot of what they say and do. Culkin is wonderful–a glimpse perhaps of his Succession character if Roman Roy actually cared about people–but I think that’s just a credit to Culkin’s talent; he somehow manages to transcend what he’s been given to work with.This is a decent indie film with a few good laughs, a couple of interesting ideas, a memorable tour of Poland, and a solid performance from Culkin.

47/38 In Mighty Morphin Power Rangers: Rita’s Rewind, the team faces off against a robotic reincarnation of the Power Rangers’ long-time nemesis. Robo-Rita has conjured a portal to send herself back in time so she can finally vanquish the Power Rangers by forming an alliance with her younger self.

39/42 It already includes Jinx and the city of Piltover In the midst of a bitter feud between the twin cities of Piltover and Zaun, two sisters fight on opposing sides in a war between magical technologies and conflicting beliefs. See the actors behind some of your favorite animated movies and shows, including Ella Purnell in “Arcane.” ;. Fortiche Productions shot a music video called "Get Jinxed" for Riot 2013. Featured in AniMat’s Crazy Cartoon Cast: Geeked Week for Freaks (2021) Riot was so impressed with the work that they asked Fortiche to make an animated series, which took them several years. After the release of the first season, Riot announced that there will be a second season and that it will take less time. The EnemyWritten by Dan Reynolds, Wayne Sermon, Ben McKee, Daniel Platzman, Robin Fredriksson, Mattias Larsson, Justin Tranter, J.I.D. (like Destin Route) Performed by Imagine Dragons ft. J.I.D.. I’m new to the source material, but the first 3 episodes of this series blew me away! 🙂 YOU MUST SEE THIS SHOW!!! And, now that I’ve watched the entire first season, my rating remains an even more solid 10! :-)Revolutionary/beautiful animation, fantastic setting, spectacular cinematography, cool music selection, believable characters, excellent voice acting/acting and an interesting sci-fi/fantasy story! :-). We’ve rounded up all the anime series and movies we could find — created or distributed by Netflix — to see which ones are ranked highest by IMDb users

31/21 “September 5” unveils the watershed moment that forever changed news coverage and continues to impact live news today. Set during the 1972 Summer Olympics in Munich, the film follows an American sports broadcast team as they quickly adapt from reporting on sports to providing live coverage of Israeli athletes being held hostage.

10/11 Chronology A family moves into a suburban house and becomes convinced they’re not alone.

28/40 Chronology Gumball’s biggest fan finds a lost episode of the show and accidentally opens a portal that connects his world to Gumball’s cartoon universe. It is the first HBO Max animated film and the first Hanna-Barbera Studios film of the 2020s to be produced in 2.35:1, and the first to be rated PG by the MPAA. It is also the first The Amazing World of Gumball film to be produced in 2.35:1. Cast of AniMat’s Crazy Cartoon: Wild Knuckles is in Jail (2022)

16/29 Chronology In the middle of the night, on a deserted road, Shula stumbles upon her uncle’s body. As the funeral begins around them, she and her cousins ​​uncover the buried secrets of their middle-class Zambian family.

35/19 Minervini had a set built in Montana and then allowed the cast to live there for two months Chronology In the winter of 1862, during the American Civil War, the US Army sends a company of volunteers to patrol uncharted western territories. The dialogues and thoughts expressed are those that occurred to the actors while living in the middle of nowhere, imagining they were soldiers in the Civil War. The Damned: In the winter of 1862, a volunteer unit of Union soldiers was sent to defend mountainous territory – we are not told where it was, we do not even learn the names of the soldiers. We witness mobile guards shooting at distant cyclists Once the regular troops have departed, they are under the command of a John Brown-esque patriarch with a flowing beard, and his teenage sons have also enlisted. The soldiers are a motley mix – some middle-aged, even old, most in their thirties. None of them have any military experience – knowledge is shared and skills are transferred. The buffalo is shot and slaughtered The desolate landscape, the hills, the mountain meadows, the snowstorms, the lack of food rations – all of this adds to the sense of existential despair. A battle is going on, we don’t see the enemy, we see the unit’s casualties. War is hell, especially when you don’t know why you’re there. Some of them are too long A Ken Loach-style film, with no fixed day-to-day dialogue and lots of ordinary people acting like amateurs as soldiers. This improvisation gives way to philosophical, religious and political discussions around campfires. But that’s a minor distraction from this raw depiction of men at war. Written and directed by Roberto Minervini, 8/10